SIGGRAPH 2002 Quick Visual Report

Day 3, Tuesday July 23

	The panel for the Chuck Jones Special Session: Rob Coleman (ILM), Barry Weiss (Imageworks), Stephen A. Fossati (Dreamworks), Scott Clark (Pixar), and Doug Sweetland (Pixar).
	Doug Cooper, from DreamWorks Feature Animation, discussing Spirit at the "2D Aesthetic in a 3D World" sketch.
	Eric Guaglione, of Disney Feature Animation, at the "2D Aesthetic in a 3D World" sketch.
	Doug Sweetland, from Pixar, at the "2D Aesthetic in a 3D World" sketch.
	Chris Springfield, from Disney Feature Animation, at the "2D Aesthetic in a 3D World" sketch.
	Kyle Odermatt, from Disney Feature Animation, at the "2D Aesthetic in a 3D World" sketch
	Emru Townsend, "2D Aesthetic in a 3D World" sketch organizer.
	Kyle Odermatt, from Disney Feature Animation, at the "2D Aesthetic in a 3D World" sketch.
	Emru Townsend and Doug Cooper (DreamWorks Feature Animation) talking.
	John Haddon from The Moving Picture Company, at the "2D Aesthetic in a 3D World" sketch, talked about sketchy rendering for his personal project.
	Near one of the entrances to the exhibition floor.
	A view at the backside of the Softimage booth.
	Pixar's booth.
	Inside the "A Practical Guide to Global Illumination Using Photon Mapping" course.
	Toshi Kato, from Rhythm and Hues, at the "A Practical Guide to Global Illumination Using Photon Mapping" course, talked about Square USA's Kilauea renderer.
	Henrik Wann Jensen, from Stanford University, organizer of "A Practical Guide to Global Illumination Using Photon Mapping" course.
	The lines grow bigger at the Lila Cockrell Theatre for this night's Electronic Theatre showing.
	People anxiously wait inside the Lila Cockrell Theatre to get a seat for the Electronic Theatre.
	People looking for seats and friends inside the Lila Cockrell Theatre.
	The Lila Cockrell Theatre is almost packed a few minutes before the big show.

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